Culture
- Character assassination? The theatre takes on Trump
- London 2017: a summer of culture
- Berlin Philharmonic/Rattle, Philharmonie, Berlin — swanky tango and distorted waltz
- DVD: Patriots Day — ‘compelling’
- Glow, Netflix — show-within-a-show
- Fleet Foxes: Crack-Up — ‘elliptical and gnomic’
- Royal Blood: How Did We Get So Dark? — ‘satisfyingly chewy sound’
- Dvorák: Stabat Mater — ‘sombre performance’
- Denys Baptiste: Late Trane — ‘electronica and funk’
- Orlando Gough: The World Encompassed — ‘imaginative travelogue’
- Beth Ditto: Fake Sugar — ‘well-crafted setting’
- Umfang: Symbolic Use of Light — ‘dappled textures’
- Cigarettes After Sex: Cigarettes After Sex — ‘authentically obsessive mood’
- Mahler: Symphony No. 3 — ‘restrained and eloquent’
- Zaha Hadid’s utopian dreams
- Snapshot: War/PostWar by Fons Iannelli
- DVD: Moonlight — ‘masterly’
- DVD: The Founder — ‘finely shaded’
- From bacon rolls to Wok N Roll: how far Irish festivals have come
- Irish actors in 20 memorable quotations
- London 40 years on: in search of my musical youth
- Jack Antonoff: Fun guy on a serious pop mission
- Alt-J: Relaxer – English trio catch their breath and regroup
- Daughters of the Dust: the film that inspired Beyoncé’s Lemonade
- My fictional world, mapped on a napkin
- The inner lives of Dublin’s inner city: the art of building a community
- Dan Auerbach moves from monochrome to Technicolour
- Jennifer Johnston is June’s Irish Times Book Club author
- Adèle Commins and Daithí Kearney: A Louth Lilt – a globetrotting musical adventure
- Fewer VIPs, less Elbow, more fun: our guide to better festivals
Tuesday, 25 July 2017